Practice
Studio & practice
A concise look at how paintings move from idea to finished canvas.
Materials & surface
Works are built on canvas and panel in a range of media — often at 80×100 cm and larger — layered so light and texture stay alive in the surface.
Composition & proportion
Fibonacci’s approach to the golden ratio informs spacing and rhythm: spirals and intervals appear in overall compositions and between forms, never as a rigid grid.
Figuration
Figures are treated as part of the same compositional field as architecture and space — weight, gesture, and negative space are weighed together.
Colour & light
Palette choices follow the subject and the time of day implied in the scene; warm earths and cooled neutrals keep large passages readable from a distance.
Detail & finish
Close views and edge treatment matter: detail photographs on this site show texture, frame, and how paint sits on the weave.
Commissions & dialogue
For availability, commissions, or exhibition proposals, use Contact — a short exchange usually clarifies intent, timeline, and delivery.